If I look back at my life, I'd become many things I wanted to be. But I never learned a handful of other things I wish I did when I had the chance. Life is too short, I realize now. Perhaps it will never be too late to learn to write, but could Time be running out?
Showing posts with label solitude. Show all posts
Showing posts with label solitude. Show all posts
Saturday, March 26, 2011
Sunday, February 13, 2011
Of Fertile Memories
Down with the flu on her third day in bed, Grandma muttered, “Alright, hija, you may have my antique chest drawer. It just needs a little varnish, not paint, and it will stand out among all your scrappy furniture. Take care of it… it has a huge sentimental value for me, I used to write letters to your Grandpa on its writing table whenever he was out in the seas...”
It was because of that writing tablet tucked away under its tabletop that I had been specially attracted to that antique chest piece. It was made out of the narra hardwood tree, the Philippines ’national tree, and is endemic only to Southeast Asia.
The chest had a couple of drawers, a smaller one on the upper portion, and a second larger one near the bottom. Grandma had been using the small drawer as her medicine closet. The open tabletop serve as her personal altar where the Holy Family is enshrined. Grandma would light a candle every time she prayed the daily novena, or her prayers to the Saints. (St. Jude on Thursdays, St. Francis on Tuesdays, The Immaculate Mother on Wednesdays, the Sacred Heart of Jesus on Fridays…)
Its dark reddish-deep brown color had been stained with liquefied wax and tainted with the age of time. But it was a welcome addition to my white and wood motif.
Not only was I excited to move into a new bedroom being assigned to me, a privilege upon reaching puberty, but I was enthused with having my own writing table. My very own, my very first. (No more writing homework at the dining table with the rest of the brood).
In my mind, adorning it with an antique-style writing lampshade was taking shape. I dashed out of my Grandma’s sickbed, eager to move her stuff away from the hand-me-down furniture I had really liked and had been curious about for most of my childhood life.
The writing tablet hadn’t been used in years. In one quick stroke, I swung it to upright position, freeing it from a cradle of cobwebbed memories underneath. I pulled a chair, found its level a perfect match, pulled the chair closer, grabbed a pen and paper, took a writing stance over the tablet, then I felt it. There and then, I knew I wanted to write.
Next, I emptied the upper smaller drawer, and wiped the interior clean with damp cloth. Then, I tried pulling out the lower bigger drawer. But either it was too heavy for my thin hands, or it was locked. Or both. The keyhole tarnished with rust, and there was no sign of any handle nor knob to aid me get a grip of the drawer.
Knowing for certain Grandma wouldn’t have the key to that lock, I whacked the keyhole with a screw driver, then turned the furniture upside down and used the force of my legs to push the drawer out.
Voila! Hardbound books came bursting out of the drawer. Classics, novels, world atlas volumes, biographies, self-help books that were heavily marked, soiled and worn-out appear to have escaped the ravages of time. The stench of an old world was breathing new life into my newly founded personal library, I thought.
Quickly, I gathered the books one on top of the other, organizing in my mind which of them would make it to the topmost shelf, and which would make it to my first Reading List in my now personal library.
As I stood up, with both arms in full grasp of the books, I lost my balance, and fell on the bed. Over a dozen books were strewn across the pillows by the headboard.
But there was one that hit the floor. About a couple of inches in thickness, in regular bond paper size. Red Plain Cover. Hardbound. Untitled.
I picked it up, flipped it over, looking for its title. It intrigued me to realize it had none. I leafed through the pages, yellowish and empty.
I brought myself to the beginning of the Red Book, and opened to the first pages.
It was handwritten. A list of birthdays. My father’s birthday appeared first with his name beside it. And then mine.
My grandparents’ names were on it too, and my aunts' as well.
On the second page was a journal entry dated 1962. The handwriting seemed convent-bred, the long bold strokes were ladylike, the writing tone raw and urgent. Its last lines read:
… Here is a man who could accept me for what I am, and regardless of my past… Now is my chance to be happy once again, the promise of a new future in a faraway land, he offers but without my first-born…. I cannot find it in my heart to abandon my child to the care of Mamang…God help me in this my dilemma…
The words belonged to my mother. And the ‘child’ the poor child was 4 years old.
I closed the Red Book. I closed the bedroom door. I drew the curtains, also to a close.
The chapter of my Childhood must have ended that night too.
For days, I spoke to no one. And in the quiet of my sanctuary, I began to understand the ways of the world.
Rain splatters against the window and later finds its course down the drain. But the water never sinks to the bottom of the earth. It nourishes the soil to make fertile memories dissipate across the land.
By morning, the rain hadn’t stopped and the far horizon flushed a pale rainbow across the sky. I wake up to the song of the birds and the call of my dogs.
It was because of that writing tablet tucked away under its tabletop that I had been specially attracted to that antique chest piece. It was made out of the narra hardwood tree, the Philippines ’national tree, and is endemic only to Southeast Asia.
The chest had a couple of drawers, a smaller one on the upper portion, and a second larger one near the bottom. Grandma had been using the small drawer as her medicine closet. The open tabletop serve as her personal altar where the Holy Family is enshrined. Grandma would light a candle every time she prayed the daily novena, or her prayers to the Saints. (St. Jude on Thursdays, St. Francis on Tuesdays, The Immaculate Mother on Wednesdays, the Sacred Heart of Jesus on Fridays…)
Its dark reddish-deep brown color had been stained with liquefied wax and tainted with the age of time. But it was a welcome addition to my white and wood motif.
Not only was I excited to move into a new bedroom being assigned to me, a privilege upon reaching puberty, but I was enthused with having my own writing table. My very own, my very first. (No more writing homework at the dining table with the rest of the brood).
In my mind, adorning it with an antique-style writing lampshade was taking shape. I dashed out of my Grandma’s sickbed, eager to move her stuff away from the hand-me-down furniture I had really liked and had been curious about for most of my childhood life.
The writing tablet hadn’t been used in years. In one quick stroke, I swung it to upright position, freeing it from a cradle of cobwebbed memories underneath. I pulled a chair, found its level a perfect match, pulled the chair closer, grabbed a pen and paper, took a writing stance over the tablet, then I felt it. There and then, I knew I wanted to write.
Next, I emptied the upper smaller drawer, and wiped the interior clean with damp cloth. Then, I tried pulling out the lower bigger drawer. But either it was too heavy for my thin hands, or it was locked. Or both. The keyhole tarnished with rust, and there was no sign of any handle nor knob to aid me get a grip of the drawer.
Knowing for certain Grandma wouldn’t have the key to that lock, I whacked the keyhole with a screw driver, then turned the furniture upside down and used the force of my legs to push the drawer out.
Voila! Hardbound books came bursting out of the drawer. Classics, novels, world atlas volumes, biographies, self-help books that were heavily marked, soiled and worn-out appear to have escaped the ravages of time. The stench of an old world was breathing new life into my newly founded personal library, I thought.
Quickly, I gathered the books one on top of the other, organizing in my mind which of them would make it to the topmost shelf, and which would make it to my first Reading List in my now personal library.
As I stood up, with both arms in full grasp of the books, I lost my balance, and fell on the bed. Over a dozen books were strewn across the pillows by the headboard.
But there was one that hit the floor. About a couple of inches in thickness, in regular bond paper size. Red Plain Cover. Hardbound. Untitled.
I picked it up, flipped it over, looking for its title. It intrigued me to realize it had none. I leafed through the pages, yellowish and empty.
I brought myself to the beginning of the Red Book, and opened to the first pages.
It was handwritten. A list of birthdays. My father’s birthday appeared first with his name beside it. And then mine.
My grandparents’ names were on it too, and my aunts' as well.
On the second page was a journal entry dated 1962. The handwriting seemed convent-bred, the long bold strokes were ladylike, the writing tone raw and urgent. Its last lines read:
… Here is a man who could accept me for what I am, and regardless of my past… Now is my chance to be happy once again, the promise of a new future in a faraway land, he offers but without my first-born…. I cannot find it in my heart to abandon my child to the care of Mamang…God help me in this my dilemma…
The words belonged to my mother. And the ‘child’ the poor child was 4 years old.
I closed the Red Book. I closed the bedroom door. I drew the curtains, also to a close.
The chapter of my Childhood must have ended that night too.
For days, I spoke to no one. And in the quiet of my sanctuary, I began to understand the ways of the world.
Rain splatters against the window and later finds its course down the drain. But the water never sinks to the bottom of the earth. It nourishes the soil to make fertile memories dissipate across the land.
By morning, the rain hadn’t stopped and the far horizon flushed a pale rainbow across the sky. I wake up to the song of the birds and the call of my dogs.
Labels:
autobiography,
diaries,
essay,
journals,
reflections,
solitude,
Writer's Life,
Writing
Saturday, December 4, 2010
Morning Coffee or Tea
Until recently, I'd start my day with coffee and newspaper. In fact, a national broadsheet well-respected and highly opinionated. A source of valuable information for business and trade, something I need to keep my nose in to benefit the corporate job. I'd lay out the paper on my right side of the table, scan over some 40 odd pages of national scandals in Congress & elsewhere, terror in Afghanistan, in the home front Mindanao & in the streets, and then I leaf through various sections plastered with glaring ads of overly promoted but useless consumable brands.
To the left side of the broadsheet sits a personalized mug of either Brazilian or homegrown coffee freshly brewed. I suspect its steamy aroma filters through the garden window and makes the African lovebirds sing.
It was a morning ritual, taken within my first waking hour. Whether there had been a full six hours of quality sleep or only a rough couple of hours coming from a TV editing session, coffee and newspaper became my first grind for the day.
A daily procedure to 'construct' myself, not my real self, just the part that has to go to work to get things done and finish the job without scaring the stockholders.
One has to deconstruct before it can construct, right? To deconstruct, I set aside my personal pursuits & preferences. In their stead, tasks listings and to-dos take priority. While I savor the coffee, my thoughts organize the boring details of what to do in an office crisis, who to call for inanimate decisions and how not to disrupt the power struggle.
Calm but perked-up, organized but melancholy, I am metamorphosed into the dependable workingman, an important person everyone in the hierarchy needs.
Like a caterpillar into a butterfly.
But without the wings.
And when a part is missing like something is broken, it couldn't last.
The missing part has to be rebuilt where it first belonged.
The change must happen. Soon.
And so it was at the Season's End of a TV show that a New Beginning was cracked open.
This morning, I had Irish coffee and English poetry. In the days to come, more tea and books, instead of coffee and newspapers.
I wonder about you, writers out there? How do you spend your mornings?
To the left side of the broadsheet sits a personalized mug of either Brazilian or homegrown coffee freshly brewed. I suspect its steamy aroma filters through the garden window and makes the African lovebirds sing.
It was a morning ritual, taken within my first waking hour. Whether there had been a full six hours of quality sleep or only a rough couple of hours coming from a TV editing session, coffee and newspaper became my first grind for the day.
A daily procedure to 'construct' myself, not my real self, just the part that has to go to work to get things done and finish the job without scaring the stockholders.
One has to deconstruct before it can construct, right? To deconstruct, I set aside my personal pursuits & preferences. In their stead, tasks listings and to-dos take priority. While I savor the coffee, my thoughts organize the boring details of what to do in an office crisis, who to call for inanimate decisions and how not to disrupt the power struggle.
Calm but perked-up, organized but melancholy, I am metamorphosed into the dependable workingman, an important person everyone in the hierarchy needs.
Like a caterpillar into a butterfly.
But without the wings.
And when a part is missing like something is broken, it couldn't last.
The missing part has to be rebuilt where it first belonged.
The change must happen. Soon.
And so it was at the Season's End of a TV show that a New Beginning was cracked open.
This morning, I had Irish coffee and English poetry. In the days to come, more tea and books, instead of coffee and newspapers.
I wonder about you, writers out there? How do you spend your mornings?
Labels:
autobiography,
cosmic energy,
diaries,
essay,
journals,
Poetry,
reflections,
solitude,
Writer's Life,
Writing
Tuesday, November 16, 2010
Poetry In Motion.
Flaccid and feeble she makes her way
a once hopeful past trailing behind her wrinkled face
into a narrow path of light she succumbs unnoticed
a once famous name hiding behind her measured steps .
Then from somewhere out of nowhere
an overachieving call center agent overtakes her way
a shoplifting addict flees around her curb
a philandering wife wanders around her corner
a dope-dealing punk intersects the alley across her
a self-serving politician moves quickly past her
a corrupting policeman prances behind her.
Then just as sudden as the fleeting enigma of Father Time,
a fledgling artist traverses her path
calling out ' Isabel ? '
Suddenly the junction is crammed with moving figures
gradually my face is teemed with wrenching tears
not knowing for certain if it was the homespun ethnic music
or the silhouettes of the dancing figures
or the Poetry in the Motion of Life
or an amalgamation of All.
it mattered not.
oblivious of one another, yet
One moment.
is All At Once.
On a neo-ethnic theatrical ballet piece created by the Philippines' premier ballet & dance artist Agnes Locsin, in an interpretation of National Artist Ben Cabrera's poem entitled 'Dance, Sabel'. Performed at the PETA Theater Center 2010.
a once hopeful past trailing behind her wrinkled face
into a narrow path of light she succumbs unnoticed
a once famous name hiding behind her measured steps .
Then from somewhere out of nowhere
an overachieving call center agent overtakes her way
a shoplifting addict flees around her curb
a philandering wife wanders around her corner
a dope-dealing punk intersects the alley across her
a self-serving politician moves quickly past her
a corrupting policeman prances behind her.
Then just as sudden as the fleeting enigma of Father Time,
a fledgling artist traverses her path
calling out ' Isabel ? '
Suddenly the junction is crammed with moving figures
gradually my face is teemed with wrenching tears
not knowing for certain if it was the homespun ethnic music
or the silhouettes of the dancing figures
or the Poetry in the Motion of Life
or an amalgamation of All.
it mattered not.
oblivious of one another, yet
One moment.
is All At Once.
On a neo-ethnic theatrical ballet piece created by the Philippines' premier ballet & dance artist Agnes Locsin, in an interpretation of National Artist Ben Cabrera's poem entitled 'Dance, Sabel'. Performed at the PETA Theater Center 2010.
Labels:
Aging,
Agnes Locsin,
ballet,
Ben Cabrera,
dance,
diaries,
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PETA,
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reflections,
Sabel,
Sayaw,
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theater arts
Tuesday, October 19, 2010
The Gathering
white walls washed in anguish
recede slowly into halts of dead ends, as
sporadic screams of pain dull the silent anger
white walls weep in woe
isolating wards at the row's very end, as
nurses in masks comfort the dying
a friend, frail and feeble lay lifeless
in her bed of sorrow
her eyes bloodshot, but yellow
her face deep-set, but skeletal
her body thin, but bloated around the middle
her fingers darkened blue, but nails blotched by chemo
her legs once a dancer's, now numb and still
her arms tender as a ballerina's, now bruised and wired
her hair once her wavy crown, now gone and gray
when her dissonant breathing took longer gaps in between
the gathering begged to subside each other's sobs
when her language slurred into tongues of the Spirit
the gathering sang hymns of praise
and when her hearing jarred into oblivion
the gathering begun to hold each other's hands
and when only her sense of touch seem unscathed
the gathering took turns to whisper their goodbyes
but just then before her eyes shot upwards
she murmured softly as she inhaled HAM...and exhaled SA...
repeating in rhythmic monotones HAM-SA... HAM-SA... HAM-SA...
by then the last sound of breath
the gathering wept, astounded with her Faith
Dedicated to Jean Gonzalo and her dance colleagues...
in Sanskrit HAM-SA means:
I am Divine, I am with God, I am an expression of God, I am not alone...
recede slowly into halts of dead ends, as
sporadic screams of pain dull the silent anger
white walls weep in woe
isolating wards at the row's very end, as
nurses in masks comfort the dying
a friend, frail and feeble lay lifeless
in her bed of sorrow
her eyes bloodshot, but yellow
her face deep-set, but skeletal
her body thin, but bloated around the middle
her fingers darkened blue, but nails blotched by chemo
her legs once a dancer's, now numb and still
her arms tender as a ballerina's, now bruised and wired
her hair once her wavy crown, now gone and gray
when her dissonant breathing took longer gaps in between
the gathering begged to subside each other's sobs
when her language slurred into tongues of the Spirit
the gathering sang hymns of praise
and when her hearing jarred into oblivion
the gathering begun to hold each other's hands
and when only her sense of touch seem unscathed
the gathering took turns to whisper their goodbyes
but just then before her eyes shot upwards
she murmured softly as she inhaled HAM...and exhaled SA...
repeating in rhythmic monotones HAM-SA... HAM-SA... HAM-SA...
by then the last sound of breath
the gathering wept, astounded with her Faith
Dedicated to Jean Gonzalo and her dance colleagues...
in Sanskrit HAM-SA means:
I am Divine, I am with God, I am an expression of God, I am not alone...
Labels:
cancer,
cosmic energy,
death,
diaries,
dreams,
journals,
Poetry,
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solitude
Monday, September 20, 2010
A Somber Day in August
The incoming week was bound to be busy: a contract-signing for a car show, a couple of bids needing creative treatments, an ocular out of town for a forthcoming shoot.
So after the Saturday pictorials for a dance concert, I allowed the remainder of the weekend to take a quiet respite. With the Sunday sunset spilling through the bedroom window, I nestled comfortably on the net touching base with my FB friends. By the time the moonlight pierced through the window sills, I was still catching up with an online writing community. I hadn't spent time with myself in a while, so I was engrossed until a PC icon called attention to an incoming email.
The news broke out in layers. First were the lines saying praise and thanking me for the proposed film project I had sent. Then the assurances that nothing was lacking with my submissions, that this must not be taken negatively. Just that the proposal was not selected nor approved for funding.
The almighty Producer had just declined my dream film: a historical epic that would cross over to the present. It was my only hope to get my dream film off the ground. My only chance to regain recognition from industry peers who smirk at the idea of a difficult multi-layered film. My only contribution to helping awaken my country's youth to rise up for change and good governance.
I stood still. For a moment, an hour, I don't recall how long, for I tried hard not to cry.
Midnight came. What was I thinking? That some well-meaning foreign producer would care about bringing life to a historical period piece that no one in its own country would dare pick up? Despite many years of rejection, I kept my hopes up.
But somewhere there I knew I had to curtail my expectations. I had thought to myself what else could I be doing outside my working life if my dream film doesn't see the light. Maybe, I'll learn to write a book. Or produce another less demanding but crusading TV show. Or perhaps try a less ambitious film story.
Something substantive, not just anything. To look forward to and build my life on.
So after the Saturday pictorials for a dance concert, I allowed the remainder of the weekend to take a quiet respite. With the Sunday sunset spilling through the bedroom window, I nestled comfortably on the net touching base with my FB friends. By the time the moonlight pierced through the window sills, I was still catching up with an online writing community. I hadn't spent time with myself in a while, so I was engrossed until a PC icon called attention to an incoming email.
The news broke out in layers. First were the lines saying praise and thanking me for the proposed film project I had sent. Then the assurances that nothing was lacking with my submissions, that this must not be taken negatively. Just that the proposal was not selected nor approved for funding.
The almighty Producer had just declined my dream film: a historical epic that would cross over to the present. It was my only hope to get my dream film off the ground. My only chance to regain recognition from industry peers who smirk at the idea of a difficult multi-layered film. My only contribution to helping awaken my country's youth to rise up for change and good governance.
I stood still. For a moment, an hour, I don't recall how long, for I tried hard not to cry.
Midnight came. What was I thinking? That some well-meaning foreign producer would care about bringing life to a historical period piece that no one in its own country would dare pick up? Despite many years of rejection, I kept my hopes up.
But somewhere there I knew I had to curtail my expectations. I had thought to myself what else could I be doing outside my working life if my dream film doesn't see the light. Maybe, I'll learn to write a book. Or produce another less demanding but crusading TV show. Or perhaps try a less ambitious film story.
Something substantive, not just anything. To look forward to and build my life on.
Saturday, June 5, 2010
A Horizon Calm
(I.)
above a sea of clouds
an endless space of hovering light,
heaps of White
move softly about as the Blue divan lay still.
a soft divide of faint Yellow and silky Orange
shuffle upward yielding to Velvet hues.
in the distant horizon,
a Pink beacon permeates
gaining intensity as we glide.
(II).
across the ocean below
fields of fiery Red trees alight Autumn in a continent
while realms of verdant Greens hover Spring in another.
Father Time suspended while we sphere Mother Earth.
Life above and below in a constant roll
People of all races,
Blacks and Whites,
Browns and Blondes,
Converge
As one
once Horizons obscure.
(III).
The miracle of colors pass me by
Till the Light slowly fades to reveal its First Star.
And then...
there were many more.
The Horizon Calm cedes into Infinity.
(Black in Perpetuity)
Where Nothing is Everything.
@Pat Perez airborne Nov 2007& Sept 2009 /June 2010
above a sea of clouds
an endless space of hovering light,
heaps of White
move softly about as the Blue divan lay still.
a soft divide of faint Yellow and silky Orange
shuffle upward yielding to Velvet hues.
in the distant horizon,
a Pink beacon permeates
gaining intensity as we glide.
(II).
across the ocean below
fields of fiery Red trees alight Autumn in a continent
while realms of verdant Greens hover Spring in another.
Father Time suspended while we sphere Mother Earth.
Life above and below in a constant roll
People of all races,
Blacks and Whites,
Browns and Blondes,
Converge
As one
once Horizons obscure.
(III).
The miracle of colors pass me by
Till the Light slowly fades to reveal its First Star.
And then...
there were many more.
The Horizon Calm cedes into Infinity.
(Black in Perpetuity)
Where Nothing is Everything.
@Pat Perez airborne Nov 2007& Sept 2009 /June 2010
Labels:
cosmic energy,
diaries,
environment,
islands,
journals,
nature trip,
Poems,
Poetry,
reflections,
solitude
Monday, May 24, 2010
Beyond the Summer Shores
the day moves refreshingly slow
dissipating for good my urban woes
as the tree branches romantically arch
shading my high-ceiling cabana.
Sea and sky meet in an effervescent horizon
creating varied hues of deep blues,
as my thoughts wander off beyond the shores
bringing me farther out to stray between voluminous islands
and taking me deeper down to the ocean of Timelessness
but in my heart...
the Dream is no closer than the waves are to the sea.
Will I die with it?
As I have lived for it?
dissipating for good my urban woes
as the tree branches romantically arch
shading my high-ceiling cabana.
Sea and sky meet in an effervescent horizon
creating varied hues of deep blues,
as my thoughts wander off beyond the shores
bringing me farther out to stray between voluminous islands
and taking me deeper down to the ocean of Timelessness
but in my heart...
the Dream is no closer than the waves are to the sea.
Will I die with it?
As I have lived for it?
Labels:
diaries,
dreams,
Filipino heroes,
journals,
nature trip,
Poems,
Poetry,
reflections,
solitude
Thursday, April 29, 2010
Baby Magic
The unexpected drizzle on a humid summer evening must have buffed up its magic on me. Feeling stressed out on the job and running low on self-esteem after a series of rejections, I fought back by circling the mood. Gone out to meet up with a younger uncle fresh from the USA, who I hadn’t seen in decades.
Minutes later, and for the first time ever, I held my seven-month old cousin, frail and fair, the youngest in our small clan of half-brothers and half-sisters. Carlos Rodrigo or C-Rod is the namesake of my Uncle Carlos and Grandpa Rodrigo. A Sea Captain who once lived the sailor’s life, Grandpa had “a girl in every port”.
C-Rod's tiny hands traced the wrinkles around my eyes while I recollected my faintest memories about my Grandpa. Next, he dangled his head to look up at the restaurant’s decorative lamps hanging ornately from the ceiling. Lost in my own thoughts while enjoying the moment, I had to be reminded by my Beloved to watch the small of his back, as he playfully hang loose in my arms.
Fifty years apart we are, I'd probably be at my weakest when he enters varsity.
Worlds apart we will be. I'd be stuck to my pen when he tinkers with the nextgen ipad.
His life just as yet beginning. But so is mine, on a second wave.
Miracles do come in small packages. That very moment with a baby boy in my arms was enough to turn my mood around. No longer did I feel inadequate about missing some other opportunities.
No longer did I mind being depended on.
Minutes later, and for the first time ever, I held my seven-month old cousin, frail and fair, the youngest in our small clan of half-brothers and half-sisters. Carlos Rodrigo or C-Rod is the namesake of my Uncle Carlos and Grandpa Rodrigo. A Sea Captain who once lived the sailor’s life, Grandpa had “a girl in every port”.
C-Rod's tiny hands traced the wrinkles around my eyes while I recollected my faintest memories about my Grandpa. Next, he dangled his head to look up at the restaurant’s decorative lamps hanging ornately from the ceiling. Lost in my own thoughts while enjoying the moment, I had to be reminded by my Beloved to watch the small of his back, as he playfully hang loose in my arms.
Fifty years apart we are, I'd probably be at my weakest when he enters varsity.
Worlds apart we will be. I'd be stuck to my pen when he tinkers with the nextgen ipad.
His life just as yet beginning. But so is mine, on a second wave.
Miracles do come in small packages. That very moment with a baby boy in my arms was enough to turn my mood around. No longer did I feel inadequate about missing some other opportunities.
No longer did I mind being depended on.
Labels:
diaries,
journals,
nature trip,
reflections,
solitude,
Writer's Life,
Writing
Wednesday, April 7, 2010
At First Light
In the still of the night
half-hour to the crack of dawn
blameless birds chirp under the half-moon
while a careless breeze whiff down the trees.
Amid the city of glass and class
a sky softly fielding hues of blue
yearning for the breath of Earth
longing as my soul for the radiance of the First Light.
what troubles past the other day
now clothed behind the new day.
half-hour to the crack of dawn
blameless birds chirp under the half-moon
while a careless breeze whiff down the trees.
Amid the city of glass and class
a sky softly fielding hues of blue
yearning for the breath of Earth
longing as my soul for the radiance of the First Light.
what troubles past the other day
now clothed behind the new day.
Labels:
diaries,
environment,
journals,
nature trip,
Poems,
Poetry,
reflections,
solitude
Monday, February 1, 2010
Life On A Cusp
Ocean waves crumble, crawl and cede
repeating its cycle in restless motion.
My pen strokes fumble, mumble, tremble
rotating its themes in timeless cycles.
A first film in the writing,
A picture book in the making,
Long cherished dreams are no closer than before
as the routine of a working life
and the daunting tasks of providing for others
take first precedence over feeding my own.
Labels:
Aging,
dreams,
film-making,
islands,
journals,
nature trip,
Poems,
Poetry,
reflections,
solitude,
Writer's Life,
Writing
Sunday, October 12, 2008
Somewhere in the Palawan Isles
My carefree breathing felt heavier than the gentle breeze rustling amid the glistening leaves. Only the faint sound of a cricket probably calling out to its mate disturbed the silence of the moonlit evening, as the Palawan waters shimmered against the pitch black stillness of the horizon calm.
An occasional gush of the eastern winds whistled soothingly into the depth of the moment, no longer afraid as I was briefly of the solitude. The serene atmosphere smelled of burnt fern, reminiscent of the comforting cool of Baguio and temperate Tagaytay and yet, not quite the same as their feverish calling for company.
A single leaf would find itself cradled to the ground by every singular motion of a wind's whiff.
And over the distant shores, balls of light emit a subtle radiance that reminded me of life beyond this beautiful landscape of red earth.
The stars invisible as they are from this virgin island laden amid a gently sloping mountain range look down upon me, as I await the hour of my birth. I find respite in this personal space to be re-aligned with the cosmic energies, to be rejuvenated once more for a new stretch of life.
Another leaf, dried and lifeless had fallen with the suden gush of the gregarious wind. This time the eminent sound of its whistling lingering longer than the last time, and evoking an echo at its tail that wasn't there when I first noticed it.
I go back to an annual tradition of geting inside myself, taking stock of where I am and which way I am bringing myself to go next. Only now I have both more and less choices.
More perhaps because of the immense opportunities that go with lifelong experiences, and yet less because of the passage of time inevitably lost in the learning and coping with living a human life.
An occasional gush of the eastern winds whistled soothingly into the depth of the moment, no longer afraid as I was briefly of the solitude. The serene atmosphere smelled of burnt fern, reminiscent of the comforting cool of Baguio and temperate Tagaytay and yet, not quite the same as their feverish calling for company.
A single leaf would find itself cradled to the ground by every singular motion of a wind's whiff.
And over the distant shores, balls of light emit a subtle radiance that reminded me of life beyond this beautiful landscape of red earth.
The stars invisible as they are from this virgin island laden amid a gently sloping mountain range look down upon me, as I await the hour of my birth. I find respite in this personal space to be re-aligned with the cosmic energies, to be rejuvenated once more for a new stretch of life.
Another leaf, dried and lifeless had fallen with the suden gush of the gregarious wind. This time the eminent sound of its whistling lingering longer than the last time, and evoking an echo at its tail that wasn't there when I first noticed it.
I go back to an annual tradition of geting inside myself, taking stock of where I am and which way I am bringing myself to go next. Only now I have both more and less choices.
More perhaps because of the immense opportunities that go with lifelong experiences, and yet less because of the passage of time inevitably lost in the learning and coping with living a human life.
Labels:
cosmic energy,
environment,
islands,
natal day,
nature trip,
reflections,
solitude,
Writer's Life,
Writing
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